高清

荣耀六十年

8.4

类型：科幻地区：美国年份：2020 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：陈孝贞,Ragnhildur,闫沛

上次更新：2025-02-06 05:55:39

立即播放收藏

正片

剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

执问:刚刚

我真的很喜欢这部小说，都说顾漫的小说不适合拍电视剧，因为是绝对没可能有小说里面的感觉的~小白文里面的绝对经典，需要读者的细细品味。
左右言它:5分钟前

其实我们也想达到这个目的，要达到此目的，拍摄方首先要懂得的是：你不让人过瘾就教育不了人。
猪赚头:9分钟前

林肯的护理是个男的，他有个结婚好几年的老婆，在他出事后一年才跟他离婚，艾米莉亚自从上个警察男友被抓后就没交往过男人，因为上个男友的关系她的名声在警界也很难再找对象，而她也越发对男人不信任。
江月还樽:4分钟前

6 跪求2021这年上映的韩国恐怖电影《第八天之夜》百度网盘资源
千斤公子:2分钟前

进口影片全国发行业务由广电总局批准的具有进口影片全国发行权的发行公司发行。
夏季之虫:1小时前

主旋律影视作品之所以会获得大家的关注，一方面：主旋律作品能够弘扬正确的价值观，从而督促人们更好地完成自我提升。
渡劫成魔:1小时前

小水塘的资源很快耗尽，绝望之际他们遇到了一个前来打猎的土著人，土著人留下来帮他们找到水和食物，三人继续在荒原上前行着，直到发现了一处树林里的废弃小屋。
刘悢:3小时前

在娱乐圈是个更新换代快速的地方，明星红起来容易，但是消沉下去也是一件简单的事情。
金老妖:小时前

主要讲述了一队探险家利用他们针对虫洞的新发现，超越人类对于太空旅行的极限，从而开始在广袤的宇宙中进行星际航行的故事[3]。
陌笑三阡:1天前

是一部以鬼怪幽灵为题材的儿童卡通电影，它以独特的视角、幽默诙谐的表现手法将长时期以来人类隐晦的话题展现在小朋友面前，充满童真童趣，是迪斯尼的一部经典之作。