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荣耀六十年1938

7.2

类型：科幻地区：美国年份：2010 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：Yuri Vizbor,Nick Gaetani,卡鲁娜·班纳杰

上次更新：2025-02-11 03:47:32

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剧情介绍

《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

冷风吹心:刚刚

所以说娱乐圈真的很有意思，乱七八糟的出轨关系让这个圈子总有说不完的话题。
流星小雨:7分钟前

这个评分标准参考了AC论坛很多高手、作家的意见，基本和大多数资深推理迷口味相似，个别存在较大争议的作品已经做了注明，希望这篇文章能让你真正爱上推理小说。
孙九娘:5分钟前

孩子们关切地问：“老爹，你是不是喝醉了？”、“那你怎么说也不说就走了？”、“谁惹你生气了？”、“还回来吗？”。
匿乞六:4分钟前

”第四天，意识稍有恢复，一直陪在焕城身边的母亲（尹惠子，50）说“焕城一直都连感冒都没有得过，真的是难以相信会这样。
懒成胖子:1分钟前

还有第四季第四集——DJ下台未来，人们按照系统推荐的数据挑选伴侣，并决定相处时间，男主和女主虽然一见倾心，但是相处时间特别短，只能按照系统的指示分开。
佐野娴人:9小时前

杰克是一个作家。一个冬天，他得到了一个看管山顶酒店的差事。这正合杰克的意思，他正好可以有一个幽静的地方写作。于是杰克带着妻儿搬进了酒店。
老张头:5小时前

他受过良好的军事训练，是西点军校的高材生，又是美国最富有的将军。
起惊蛰:5小时前

项目总建筑面积约26万平方米，其中商业建筑面积18万平方米，有国际商务公寓和星级豪华酒店组城超大型市中心购物中心。
棋棱:2小时前

该片于2015年7月22日在韩国上映，2015年9月17日在中国上映。
真懒的真岚:1天前

对了，我还要感谢她的一件事，那是在洛杉矶拍摄的时候，她请我吃了中国菜，是饺子，这让我感到很难忘，因为我过去从来没有吃过这种食品。